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About me

I am Nergiz, a painter based in Passau, Germany, working in gouache at miniature scale. My paintings are botanical and landscape subjects built up on dark grounds, and each one is presented in a frame I have either sourced or made, so that the painting and its housing are finished together as a single object.

My subjects come from close observation of gardens, water and woodland, with a debt to nineteenth century garden painting. I was born in Turkey and live in Germany.

Alongside my studio practice I am a doctoral researcher in computer science. The two share a habit of working slowly, at very small scale, on problems that only resolve close up.

My paintings are sold directly through my studio shop, NeyuuArt Paintings on Etsy, and I take a small number of commissions each year.

Nergiz in the studio

Selected details

Medium
Gouache on paper
Scale
Miniature, typically 9 to 20 cm
Framing
Antique, restored or hand-built by the artist
Based
Passau, Bavaria, Germany
Languages
Turkish, English, German
Large textured paintings on the studio wall, houseplants in front
An oval painting of blossom on a dark ground standing on a shelf

Artist statement

I make paintings that cannot be separated from their frames.

Some of the frames are antique, found in flea markets and junk shops. Others I build myself in ceramic. Either way the frame comes first, and its shape decides the painting that goes inside it: an arch becomes a chapel window, an oval becomes a portrait of a single flower, a deep tray becomes a garden seen from above.

I work in gouache on dark grounds. Starting from black means the light has to be built forward in layers, so a hawthorn branch or a stand of birches surfaces slowly out of shadow instead of being drawn onto an empty white page. It is a slow way to paint and I like that about it.

The subjects are things that stop me on a walk. Water moving. Leaves catching sun. Flowers that are nearly over. Everything is small, roughly the size of a hand, because a small painting asks a viewer to come close, and coming close is the point.

Nergiz, Passau, 2026

An oval hand-built ceramic frame holding a painting of blossom on a dark ground

Passau, Germany

Where the work comes from

Studio corner with framed botanical prints, houseplants and a small floral painting
Rowers on the river in Passau below the old town
A sunflower in a white vase on the studio desk
A wooden paint box with gouache pans and a round ceramic frame
Passau at night, lights reflected on the river
A palette of gouache among houseplants