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Process

The frame comes first

Some frames are antiques, cleaned and regilded in the studio. Others are hand-built in ceramic. Either way the frame is finished before the painting starts.

Antique gilded frames, one holding a painting of white blossom on dark green
Two hand-built ceramic frames with white blossom and a small round landscape
A textured relief piece on a moss green ground with the words 'What if I just bloom?'

Left, the ceramic frames, modelled and fired here, each with an opening that is never a standard shape. Right, a textured relief piece where the paint sits directly on a modelled surface and the words are part of the work.

In order

Frame, ground, light, varnish.

  1. 01

    Find or build

    An antique from a flea market, or a frame modelled by hand in clay and fired. The opening is never a standard shape.

  2. 02

    Restore and finish

    Antique frames are cleaned and regilded. Ceramic frames are glazed or left raw, depending on the painting they will hold.

  3. 03

    Dark ground

    The paper is prepared black. Light is then built forward in thin layers of gouache, so the subject surfaces out of shadow.

  4. 04

    Varnish and house

    The finished painting is sealed with a matte protective varnish and set into its frame. The two are finished together as a single object.